Well-organised, cogently argued, expertly composed, erudite yet approachable, and masterfully researched, Picturing the Apocalypse is a worthwhile tour among all things apocalyptic. The authors chart a clear path through a thicket of theological and aesthetic considerations without losing their way. * Eric Hoffman, The Fortean Times * The judges...admired its tight, elegant and eloquent structure, its liveliness and accessibility, its timeliness and its originality and analysis of imagery and idea. * ACE/Mercers Book Award press release * an incredibly rich book both in the variety of its illustrations and in the range of allusions explored ... This is a book which many different kinds of readers will derive much interest and benefit from reading. * Peter Costello, The Irish Catholic * This fascinating book is written in an easy, at times almost conversational, style, without ever losing its academic credibility ... This book will be a useful resource for anyone interested in apocalyptic literature, mediaeval theology or the history of art. * Methodist Recorder * Well-organised, cogently argued, expertly composed, erudite yet approachable, and masterfully researched, Picturing the Apocalypse is a worthwhile tour among all things apocalyptic. * Eric Hoffman, Fortean Times * Picturing the Apocalypse is a strong work of reception history, and its appeal to contemporary scholarly analysis usually take a back seat to artistic representations and interpretations. This is especially important and useful in a book about Revelation, which resists easy scholarly analysis and categorization as vehemently as it resists simple visual representation. The thrill of the book is encountering the ways myriad artists, from medieval book illuminators to Reformation woodcut makers to 20th and 21st-century filmmakers, have contended with the overwhelming weirdness of John's Apocalypse. O'Hear and O'Hear spin this difficulty into a compelling narrative that surveys a landscape while also coming to rest on many of the beautiful, grotesque, terrifying, divine, and human vignettes found in the corpus of artistic receptions of Revelation. * Eric C. Smith, Reading Religion * Sumptuously illustrated... The material is organised thematically around the central images of Revelation with exemplary clarity, and, as an added bonus, the authors cast insightful peripheral glances towards music, film and literature. * David Cornick, Reform Magazine * A work of immense erudition, of consummate research and a demonstration of sublime analytical skills. * Joe Forshaw, On: Yorkshire Magazine * 'The Apocalypse is the glorious conclusion to the story of our redemption, or the moment when the Bible soars off into sci-fi: take your pick. The O'Hears, father and daughter, trace the extraordinary imaginative impact of the last book of the Bible on visual artists. While exploring the dynamic power of this final book of Scripture they take us on an exciting journey, from Durer to D. H. Lawrence and from Memling to Ingmar Bergman. Apocalypse is a text which yields so many interpretations that it is bound to be puzzling, but this gentle, artistic book is a tribute to the visionary of Patmos' abiding power to inspire.' * A.N. Wilson * Revelation, the Bible's one visionary book, is often dismissed either as a fantasy for fundamentalists or as a literary and theological aberration. In this erudite and endlessly fascinating book, Natasha and Anthony O'Hear show that it is in fact one of the great books of the world, a rich source of imagery, metaphor, and moral insight that has inspired artists and thinkers of every age; and should inspire everybody with its message of gentle resistance to malign power. * Bryan Appleyard * Natasha and Anthony O'Hear are to be congratulated for their book on Revelation, which takes as its starting point its central theme--its visionary claim. It offers a very necessary reminder that the visual character of this remarkable text can often be best communicated through art, music, and poetry, which they illustrate so well. Not only does it introduce us to the ways in which this apocalyptic text has stimulated some of the most dramatic and inspired paintings down the centuries, but it also helps us get some sense of why this book has grasped the imagination of readers past and present. It is based on the best modern scholarship and presents Revelation to the general reader, primarily through the riches of the art it has inspired. Readers will find much here to treasure which will stimulate further reflection. * Professor Christopher Rowland, Dean Ireland's Professor of the Exegesis of Holy Scripture, 1991-2014 * This study of the Book of Revelation in the Arts over two millennium is a true blast to the modern mind and imagination. * Northern Echo, Steve Craggs * Natasha and Anthony O'Hear, a father and daughter team of theologian and philosopher, both fascinated by artistic achievement, [provide] a clear diagram of Revelation's contents; it's worth keeping a bookmark there to keep a handle on John's programme . . . Like the Book of Revelation itself, you don't have to read this study in a linear fashion: you could pick out your favourite artist, composer or novelist from the index, and see how successive episodes of the vision have fired them. * Times, Diarmaid MacCulloch * Deliciously prescient and yet extraordinarily civilised . . . father and daughter team Anthony and Natasha O'Hear really get to grips with all things apocalyptic by dint of applying a beautifully polished magnifying glass to the world's ur-apocalyptic text, Revelation . . . The O'Hears are scrupulously fair-minded and reasonable. They are inclusive. They are erudite (a healthy sprinkling of 'eschatons' 'macro-narratives' litters the text) but never intimidating . . . They are kind. They are measured. And this is what makes Picturing the Apocalypse such an engrossing, delightful and ultimately uplifting read . . . Perhaps if one lesson alone might be learned from the O'Hears' thoughtful and thought-provoking enterprise, it's that beauty (and, by extension, art), while in some senses perfectly defenceless, can never fail to bring us closer to the sublime. * Spectator, Nicola Barker * Building on current interest in biblical reception history, and in the reception history of the Book of Revelation in particular, Natasha and Anthony O'Hear offer a comprehensive and yet focused analysis of a range of responses to Revelation in this handsomely produced book... Its fifty-three colour plates and multiple black and white illustrations, and the commentary which accompanies them, are a rich resource for the specialist in biblical criticism, reception history or art history, or for the interested non-specialist. * Alison Jack, Scottish Journal of Theology * Natasha and Anthony O'Hear have produced a fascinating book on how the Apocalypse or the Book of Revelation has figured in the Arts for 2,000 years. * Unknown, The Church of England Newspaper *