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The Earth on Show

Fossils and the Poetics of Popular Science, 1802-1856

By (author) Ralph O'Connor
Format: Paperback / softback
Publisher: The University of Chicago Press, United States
Imprint: University of Chicago Press
Published: 5th Nov 2013
Dimensions: w 18mm h 25mm d 3mm
Weight: 1049g
ISBN-10: 022610320X
ISBN-13: 9780226103204
Barcode No: 9780226103204
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Synopsis
At the turn of the nineteenth century, geology - and its claims that the earth had a long and colorful prehuman history - was widely dismissed as dangerous nonsense. But just fifty years later, it was the most celebrated of Victorian sciences. Ralph O'Connor tracks the astonishing growth of geology's prestige in Britain, exploring how a new geohistory far more alluring than the standard six days of Creation was assembled and sold to the wider Bible-reading public. Shrewd science writers, O'Connor shows, marketed spectacular visions of past worlds, piquing the public imagination with glimpses of man-eating mammoths, talking dinosaurs, and sea dragons spawned by Satan himself. These authors - including men of science, women, clergymen, biblical literalists, hack writers, blackmailers, and prophets - borrowed freely from the Bible, modern poetry, and the urban entertainment industry, creating new forms of literature in order to transport their readers into a vanished and alien past. In exploring the use of poetry and spectacle in the promotion of popular science, O'Connor proves that geology's success owed much to the literary techniques of its authors.

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"Undoubtedly a tour de force and an outstanding success." (David Oldroyd, Nuncius) "This book is utterly brilliant." (Sharon Ruston, Byron Journal) "The portrayal of the geological past to a public hungry for drama and instruction is explored with great verve by Ralph O'Connor.... One could argue that the awareness of deep time has changed human perception of our place in the cosmos more than any other discovery. Anyone interested in how such new ideas are promulgated at large will enjoy O'Connor's work." (Richard A. Fortey, Times Literary Supplement)"