An amazing tour du monde. In 1965, Lionel Trilling wrote an African editor that no magazine "has ever taught me so much about matters I did not know about." This will still be the reaction of the contemporary reader, for whom a familiar literary-historical landscape is suddenly--and globally--lit up with an extraordinary multiplicity of new and henceforth inescapable landmarks. Bulson's remarkable book is an inescapable confrontation in any debates on modernism and world literature alike. -- Fredric Jameson, Duke University This ground-breaking study is a much needed corrective to the Anglo-American focus of periodical studies. Traversing continents and disciplines, it provides a new critical approach to the history, medium, and politics of the little magazine, demonstrating its vital role in world literary culture. Expansive in scope yet grounded in vivid, nuanced case studies, this beautifully written book promises to transform our understanding of periodicals and of modernism itself. -- Gwen L. Allen, San Francisco State University Bulson's book is a game changer. Conceptually and archivally rich, it moves us toward a global history of little magazines from 1900 into our digital age and expands modernism's spatial and temporal boundaries. The dialectic of big and little is on display throughout these pages as Bulson shows how the little magazine both as medium and material object became a world form as much in Africa, Asia and the Americas as in Europe. By emphasizing the material inhibitions of mobility and circulation, untranslatability, and cultural asymmetry, Bulson reveals how the little magazine as a world form challenges currently extant notions of world literature. -- Andreas Huyssen, Columbia University Lucid, rigorous, and wide ranging, Eric Bulson's excellent study of the little magazine traces the form's flows and blockages, networks and disconnections. His book sheds valuable new light on the feisty magazines through which the world came to know writers such as Ezra Pound, James Joyce, T.S. Eliot, Marianne Moore, F.T. Marinetti, and Christopher Okigbo. Modernist and postcolonial literatures are shown to be powerfully interwoven in both their formal and material dimensions. -- Jahan Ramazani, University of Virginia