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Phaidon Contemporary Artists Series
Zhang Huan has emerged as one of the most important artists of the past decade, a fearless explorer of the limits of the human body and a key figure in the flourishing Chinese art scene. His earliest performances, including 12 Square Meters, 65 Kilograms, and To Raise the Water-Level in a Fishpond, subjected his body to grueling tests of endurance while addressing the relationship between physical endurance and spiritual tranquility.
Zhang 's move to New York in 1998 contributed to establish himself as a widely recognized figure in the international contemporary art world, staging performances in several cities around the globe, including Sydney, Rome, Shanghai and Hamburg where he reflected on his experiences in the cities he visited and his ethnic identity in a foreign land.
In 2006 Zhang established a studio in Shanghai, where he began to seek a greater connection to Chinese heritage and history. This marked a new direction in his work, as he turned from performance to sculpture, painting, and installation. Through creating large-scale sculpture in diverse media, such as ash from local Buddhist temples, and with found objects, such as doors from the Chinese countryside homes, Zhang Huan continues to explore new ways to render his interest in the body and its language.
A significant aspect of Zhang's new work revolves around his interest in Buddhism. Although Buddhist themes figured indirectly into his early work, they took on a more prominent role after a visit to Tibet in 2005. There, Zhang began to collect fragments of Buddhist sculptures, which he then used as models for massive copper figures. Upon his return to Shanghai, Zhang Huan began to collect ash from local Buddhist temples for use in sculptures and paintings. The use of burnt incense, the product of religious offerings, strengthens the link between his art and Buddhist practices.
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What Reviewers Are Saying
"One of the foremost artists in China's new wave, Zhang Huan creates personal and politicised work that encompasses performance art, photography, painting, installation and sculpture. Zhang Huan is a monograph assessing the impact of his explorations of identity, transgression and spirituality. It takes in his early, often extreme, performance art in China and New York - My New York for the 2002 Whitney Biennial, saw him donning a suit sewn from raw beef, imitating the bodybuilders he had seen who tried to adopt an appearance of strength to hide their real weakness and unease - and takes us up to his laboriously created, deeply affected ash paintings and sculptures, created with incense ash collected from Shanghai temples."-Metro On the Contemporary Artists Series "The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."-Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."-Time Out "A unique series of informative monographs on individual artists."-The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."-The Art Book