A metaphorical and lyrical exploration of the journey of one heart and two bodies . . . Compelling, original and ambitious, this novel illuminates what it is to be human. * Val McDermid * This breathless novel has all the beauty of a Greek tragedy. It is also a hymn to creation and a meditation on the relationship between the body and consciousness, life and death. -- Astrid de Larminat * Figaro * Far from being the simple tale of a heart transplant, this novel is a true epic, a great modern saga that investigates our relationship with death as much as our relationship with language. -- Francois Busnel * Lire * A true novel, a great novel, an extraordinary novel. -- Bernard Pivot * Journal du Dimanche * Maylis de Kerangal navigates perfectly between the epic and the intimate; let's just say that her writing will shake you to your very core. -- Olivia de Lamberterie * Elle * Heartbreaking; I've seldom read a more moving book... De Kerangal is a master of momentum, to the extent that when the book ends, the reader feels bereft. She shows that narratives around illness and pain can energize the nobler angels of our nature and make for profoundly lovely art. One longs for more -- Lydia Kiesling * Guardian * A thrilling opening sequence, well-suited to her urgent, breathless, visceral prose ... this extraordinary novel etches itself in the mind ... There is a flamboyant artistry at work, yet Maylis de Kerangal is confronting a reality that is all too real -- Eileen Battersby * Irish Times * The story unfolds in an intricate lacework of precise detail. These characters feel less like fictional creations and more like ordinary people, briefly illuminated in rich language ... an exploration not only of death but of life, of humanity and fragility -- Priya Parmar * New York Review of Books * Among the most fascinating writers of her generation. With Mend the Living, Maylis de Kerangal attains even greater heights -- Raphaelle Leyris * Le Monde * A novel that goes to the heart of what it means to be a human being -- Amanda Hopkinson * Independent * From its glorious 300-word first sentence to the stately canopic imagery of its climactic scenes, Mend the Living, beautifully translated from the French by Jessica Moore, mimics the rhythm of the processes it depicts - the troughs and peaks of grief and protocol, of skills utilised and acceptance finally achieved. -- M. John Harrison * Guardian * One of the most original novels I've encountered in recent years . . . she finds an incredible poetry in the vocabulary of medicine and surgery -- Jonathan Coe * The Week *