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European Art and the Wider World 1350-1550

Art and its Global Histories

Format: Paperback / softback
Publisher: Manchester University Press, Manchester, United Kingdom
Published: 15th Aug 2017
Dimensions: w 203mm h 348mm d 11mm
Weight: 785g
ISBN-10: 1526122901
ISBN-13: 9781526122902
Barcode No: 9781526122902
Synopsis
Inspired by recent approaches to the field, the book reexamines the field of Renaissance art history by exploring the art of this era in the light of global connections. It considers the movement of objects, ideas and technologies and its significance for European art and material culture, analysing images through the lens of cultural encounter and conflict. -- .

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'This book offers important new insights into the history of Renaissance arts by rethinking key objects and themes through the lens of cross-culturality. Its contribution is especially welcome as it demonstrates how exactly the idea of the Renaissance was formed by its global contacts and through acculturation of arts and ideas from beyond Europe.'
Sussan Babaie, Andrew W. Mellon Reader in the Arts of Iran and Islam, The Courtauld Institute of Art


'Art history has become increasingly engaged with global connections, but to date no study has filled the need for a synthetic overview of the early modern period. We can never again see the 'Renaissance' in the same, isolated way after reading these chapters.'
Larry Silver, Farquhar Professor of Art History, University of Pennsylvania

'Bringing together essays synthesizing recent scholarship on Renaissance art and material culture, Christian and Clark (both, Open Univ., UK) have created the first undergraduate-level treatment of the global nature of Renaissance art. The editors' goal is to illuminate "commonalities" between Europe and non-Western, non-Christian cultures. Two of the essays, Christian's on Renaissance altarpieces and Clark's on European collections of non-Western objects, consider indirect influences on art that came from luxury goods traded into Europe. The other two essays-one on art and architecture of Islamic, Jewish, and Christian inhabitants of Spain, and of Amer-Indians of the New World, the other on Venice as a palimpsest of Italian, Byzantine, and Islamic art and culture-are particularly successful in revealing direct connections between different cultures and the hybrid art that developed from close proximity.'
J. B. Gregory, formerly, Delaware College of Art and Design, CHOICE, Vol. 56, No. 2 (October 2018) -- .