Perspectives on Contemporary Printmaking
Critical Writing Since 1986
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research. -- .
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What Reviewers Are Saying
'This will be a significant and important contribution to the field and practice of printmaking and print media. The volume will be vital in MFA professional practice classes, and on theory and art historical courses.'
Mary Hood, Artist
'Dr Ruth Pelzer-Montadas publication is an excellent compilation of selected text spanning 3 decades. This topographical discourse points to essential aspects concerning the critical discussions and the debates on contemporary print and printmaking and the tectonic shift of it.'
Jan Pettersson, Professor, Head of Print & Drawing, Department for Art & Craft, Oslo National Academy of the Arts, Norway
'Combining the methodology of a practicing printmaker with the perception of a theorist, Pelzer-Montada assembles key texts on printmaking and print cultures into a comprehensive anthology of writings that reveals the depth and range of thinking and debate on this subject. A long overdue critical framing of print art, this book fulfills the need for a re-evaluation of the importance and ubiquity of print, mapping out its potential in a "post-print" society. [.] These writings establish a genealogy of print grounded in society's desire to maintain, record and disseminate its reflective thinking processes - that have ultimately shaped and evolved our need to communicate.'
Andrew Folan, Head of Print, National College of Art and Design, Dublin
'Perspectives on contemporary printmaking is a brilliant book! A manual like this has been longed for both in the academic world and in the studios and printshops; most thoughtful theoretical analysis of printmaking art, assembled into a single anthology. It is informative, well-organized, and knowledgeable. I particularly enjoyed the carefully formulated division into four separate parts, accompanied with Ruth Pelzer-Montadas insightful introductions. It's already a classic, the only of its kind. Highly and cordially recommended!'
Annu Vertanen, artist, professor in printmaking, University of Arts, Helsinki -- .