Bowman provides a fascinating insight for those interested in cultural studies to begin thinking about how martial arts in general have been situated in American society.... Bowman masterfully enters this discussion, raising much needed debate, and doing it in a way that demands readers be serious about the field of cultural studies. Dividing the book into separate chapters, all of which deal with a specific set of questions, documents, and arguments, this text would fit well into any advanced graduate reading seminar, either as a complete text or with select chapters serving as standalone essays. Likewise, this work is bound to raise the interest of cultural studies scholars as treats its subject with intelligence, and focus. One can hardly ask for anything more when reading a book. * Sport in American History * Professor Paul Bowman's latest book sets a new standard for exploring the cultural, sociological and ideological criticism of the martial arts within modern society. * Chinese Martial Arts Studies * This wide-ranging, provocative, and entertaining collection of essays should interest all thoughtful martial artists. Whether exploring the phenomenology of kicking, legends surrounding Bruce Lee, machismo and sexism in martial arts culture, or debates over "traditional" vs. "realistic" approaches to fighting, Bowman prompts us to let down our guard and to interrogate the myriad mythologies that inform the martial arts world. -- Michael Molasky, Professor of Asian Cultural Studies, Waseda University, Tokyo Addressed to academics and martial artists alike, Bowman's Mythologies of Martial Arts offers a series of lively and accessible but incisive, surprising, and always provocative analyses of the martial arts and their cultural significance. Bowman challenges received thinking in all its guises, in a must-read book for anyone intellectually serious about the martial arts. -- Luke White, Senior Lecturer in Visual Culture and Fine Art, Middlesex University, UK Following in the spirit of Roland Barthes' Mythologies (1957), Paul Bowman has set a new standard for the exploration of cultural, social and ideological criticism within martial arts studies. Whether investigating the intricacies of history, identity or humor, each chapter sheds much needed light on the global appeal of these fighting systems. Accessible yet profound in turns, this work is sure to be a classic. -- Benjamin N. Judkins, Visiting Scholar, Cornell University East Asia Program and co-author of The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts