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Negritude and the Novel. Contemporary French and Francophone Cultures 51
Joseph Zobel (1915-2006) is one of the best-known Francophone Caribbean authors, and is internationally recognised for his novel La Rue Cases-Negres (1950). Yet very little is known about his other novels, and most readings of La Rue Cases-Negres consider the text in isolation. Through a series of close readings of the author's six published novels, with supporting references drawn from his published short stories, poetry and diaries, Joseph Zobel: Negritude and the Novel generates new insights into Zobel's highly original decision to develop Negritude's project of affirming pride in black identity through the novel and social realism. The study establishes how, influenced by the American Harlem Renaissance movement, Zobel expands the scope of Negritude by introducing new themes and stylistic innovations which herald a new kind of social realist French Caribbean literature. These discoveries in turn challenge and alter the current understanding of Francophone Caribbean literature during the Negritude period, in addition to contributing to changes in the current understanding of Caribbean and American literature more broadly understood.
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What Reviewers Are Saying
'Through settings, characterizations, and themes, Zobel's work confronts France's political and cultural grip in Martinique, giving voice to destitute blacks. Benefiting from Hardwick's translations, this is a valuable addition to the literature on postcolonialism.'
D. M. Jarrett, Choice Reviews
'Louise Hardwick's Joseph Zobel: Negritude and the Novel is a remarkable and timely examination one of the key authors of francophone postcolonial writing. With exacting scholarship and empassioned prose, Hardwick reveals the full complexity of Zobel's extensive novelistic enterprise, including the many twists and turns of the rewritings of his earlier works. [...] Hardwick's groundbreaking research reveals long-forgotten texts, biographical intricacies, and political and aesthetic debates to finally and rightfully accord Zobel recognition as one of the central and most original figures of Negritude.'
Nick Nesbitt, Princeton University