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Antonioni
Centenary Essays
Synopsis
i"?The cinema of Michelangelo Antonioni (1912--2007) embodies -- more than that of any other director -- the substance of European art cinema. His intensely stylised, stylish, demanding and gratifying films continue to spark controversy and debate -- and inspire intense allegiance. On the centenary of Antonioni's birth, this volume places his work in an expanded field in order to reassess his contribution and continued centrality to world cinema. The contributors to this volume argue for an understanding of his work in a variety of new contexts: transnational cinema; conceptual photography; intermediality; thing theory; ecological and climate change theory; rubbish theory; microhistorical urbanism; the theory of the picturesque; and the theory of style. The Antonioni that emerges across these essays is an artist profoundly engaged in formal experimentation and deeply embedded in the complexities of his cultural and historical moment, whose work, therefore, continues to offer itself as a rich resource for thinking through the contradictory conditions of late modernity in the twenty-first century.
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What Reviewers Are Saying
i"?The contributors to Antonioni: Centenary Essays approach the director's works with fresh, new inspiration and contemporary critical methodologies that underscore Antonioni's continued relevance to the cinema of our day, adding numerous original insights on such topics as Antonioni's documentaries, his relationship to Rome, and his last films, while providing fresh perspectives on the classics of the Antonioni canon, such as L'avventura, Red Desert, and Blow-Up. This is a book that belongs in the library of every spectator who loves the art of film-making. Peter Bondanella, Indiana University i"?Antonioni: Centenary Essays is an exemplary model for writing on cinema and modernity, a timely occasion for rethinking media reception in the twenty-first century through revaluation of Antonioni's films. The compelling essays, written by leading film scholars, challenge time-worn assessments of Antonioni's cinema, and situate their discussions in relation to aesthetics, film history, the character and specificity of the connections of his work to other media, and innovatively and significantly, to ecology (space, climate, and waste) as illuminative of his visual style. Marcia Landy, University of Pittsburgh