Seller
Your price
£2.00
Out of Stock

Contemporary English Novel

Reader's Guides

By (author) Frederick R. Karl
Format: Hardback
Publisher: Thames & Hudson Ltd, London, United Kingdom
Published: 30th Nov 1963
Dimensions: w 140mm h 200mm
ISBN-10: 0500140197
ISBN-13: 9780500140192
Barcode No: 9780500140192

New & Used

Seller Information Condition Price
-New
Out of Stock

What Reviewers Are Saying

Submit your review
Kirkus US
The evaluation of English fiction since the 1930's draws its general conclusions at the start: the modern English novel is restrictive rather than extensive; it is more self-contained, personalized, insular; considerations of class structure-once the "staple of the English novel" have disappeared; and it achieves only "chance moments of intensity at the expense of scope". While all of this is unquestionably true, one can challenge Karl's conception of the function of the novel as "the definition of man in his society". This is a critical single standard which can invalidate and be invalidated by some great books (Madame Bovary, etc.) But Professor (City College of N.Y.) Karl's individual critiques are intellectually able and provide a placement and assessment of many writers: Beckett and his search for cosmic identity; Greene who approaches salvation through sin; Orwell- -the "conscience of his generation": the more rarefied worlds of Elizabeth Bowen, Compton-Burnett, Henry Green; the "snivelling" rather than "angry" young men; etc., etc. Karl is particularly good when dealing with Anthony Powell, C.P. Snow, Joyce Cary; more arguable on the subject of Waugh and William Golding. He scants aesthetic satisfaction and inner experience for breadth, and as such leaves the current literary scene with a sense of its localization and devitalization. But is not this "acceptance world" of Powell and other younger writers, with its lack of protest and loss of allegiance, symptomatic of the times? If so, Professor Karl cannot conclude, as he does, that many contemporary novels fail to fulfill the primary purpose of fiction as he defined it above. (Kirkus Reviews)