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Music in the Shadows

Noir Musical Films

By (author) Sheri Chinen Biesen
Format: Paperback / softback
Publisher: Johns Hopkins University Press, Baltimore, MD, United States
Published: 26th Jun 2014
Dimensions: w 152mm h 229mm d 14mm
Weight: 318g
ISBN-10: 1421408384
ISBN-13: 9781421408385
Barcode No: 9781421408385
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Synopsis
Smoke. Shadows. Moody strains of jazz. Welcome to the world of "noir musical" films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. In her pioneering study, Music in the Shadows, film noir expert Sheri Chinen Biesen explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. While noir musical films like A Star Is Born include musical performances, their bleak tone and expressionistic aesthetic more closely resemble the visual style of film noir. Their narratives unfold behind a stark noir lens: distorted, erratic angles and imbalanced hand-held shots allow the audience to experience a tortured, disillusioned perspective. While many musicals glamorize the quest for the spotlight in Hollywood's star factory, brooding noir musical films such as Blues in the Night, Gilda, The Red Shoes, West Side Story, and Round Midnight stretch the boundaries of film noir and the musical as film genres collide. Deep shadows, dim lighting, and visual composition evoke moodiness, cynicism, pessimism, and subjective psychological points of view. As in her earlier study of film noir, Blackout: World War II and the Origins of Film Noir, Biesen draws on extensive primary research in studio archives to situate her examination within a historical, industrial, and cultural context.

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[Biesen's] writing is silky and engaging and will enthrall fans of musicals and film noir... Library Journal Music in the Shadows is an interesting and provocative approach to post-genre film criticism that underscores the interconnectedness of diverse media, and provides both a challenging perspective on the musical genre and a testimonial to the ongoing legacy of noir sensibility. -- Louis J. Kern Key Reporter The book nicely balances in-depth historical research and previous film noir scholarship with fresh ideas and a writing style that is both evocative and concise. The author doesn't force the films into the model of her theory; instead the films guide the theory, a quality often lacking in film writing. Music in the Shadows ultimately succeeds on two levels, both in providing an entertaining and enlightening read, as well as an impetus to watch previously unseen films and rewatch familiar classics with a new perspective. -- Anne M. Hockens Noir City Biesen's relevant study provides new insight and proves a welcome addition to film noir studies. Choice