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Supernatural Love

Format: Paperback
Publisher: Bloodaxe Books Ltd, Tyne and Wear, United Kingdom
Published: 30th Aug 2001
Dimensions: w 156mm h 233mm d 21mm
Weight: 548g
ISBN-10: 1852245611
ISBN-13: 9781852245610
Barcode No: 9781852245610
Gjertrud Schnackenberg is a major voice in American poetry. Supernatural Love shows the sensuous richness of her imaginatively daring poetry of ideas, and traces the evolution of this remarkable writer. Book by book, from an early mastery in which precision and heartbreak are inseparable, her poetry accelerates through the searching, dense, metaphysical imagery and cascading syntax which are her signature. From her classic portrait of Darwin in the last year of his life, to the vertiginous brilliance of her elegy for the Byzantine monuments of Ravenna, she produces poems as visionary documents, unmistakable in their glittering range and passion but never the same twice. With singular devotion, Schnackenberg writes as if poetry were a matter of life and death. Supernatural Love includes three collections previously published in Britain as well as The Throne of Labdacus, winner of the Los Angeles Times Book Prize for Poetry. This new book-length poem telling the story of Oedipus is a visionary work of profound and tragic beauty. Her later book, Heavenly Questions, winner of the Griffin International Poetry Prize, is published by Bloodaxe in Britain in 2011.

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'Poems that move me in a way that I don't really think I have experienced since I first read Rilke at 16 or 17. What a superb poet she is, and what a range of original sensibility, what private music, in the less well-worn emotions' - Nadine Gordimer 'Schnackenberg has turned her erudition, technical mastery and objectivity to extraordinary account, and has set wide new sights for poets of her generation. She has cracked open the lyric of personal anecdote and set it in the light of history' - Rosanna Warren, The New Republic 'Profound, sweeping, emotional - One thinks of Blake's insight, "Eternity is in love with the productions of time" ' - Stephen Yenser, The Yale Review