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Philosophy and Interpretation. Bloomsbury Revelations
With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthetics and theory of music and the second consists of critical studies of individual composers, thinkers and works including essays on Mozart, Wagner, Beethoven's Ninth, Janacek & Schoenberg, Szymanowski and Adorno. Understanding Music will appeal to specialists in philosophy and musicology and also to music lovers who wish to find deeper meaning in this mysterious art. The Bloomsbury Revelations editions includes a new preface from author.
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What Reviewers Are Saying
The prolific philosopher turns his attention back to music, exploring the fundamental elements that make a great piece. Ranging from Wagner to Hoagy Carmichael and even a final chapter on 'the disaster of pop', this is trademark, provocotive Scruton. * The Bookseller * As a welcome addition to Roger Scruton's continuing canon of fascinating works on the nature and meaning of music, this short, dense book amply supports his genuine and lifelong belief that aesthetic contemplation offers the key to proper understanding of motivation and meaning, not just in ourselves, but in everything around us. * Literary Review * Illuminating ... touching ... much to inspire. Anyone who is capable of being deeply moved by music should read it. * BBC Music Magazine * Roger Scruton presents a depth of knowledge and understanding that could make listening to a symphony all the more meaningful ... worthwhile for those who would like a deeper relationship with classical music. * Good Book Guide * Aesthetic arguments are well summarised, disagreements presented very largely without querulousness; [Scruton] ... avoids shrill dogmatism. And while he makes substantial reference to music theory, he does so without the cack-handedness of many non-specialist music students. * Classical Music *