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Kitano Takeshi

World Directors

By (author) Aaron Gerow
Format: Hardback
Publisher: Bloomsbury Publishing PLC, United Kingdom
Imprint: BFI Publishing
Published: 1st Aug 2007
Dimensions: w 132mm h 199mm d 27mm
Weight: 470g
ISBN-10: 1844571653
ISBN-13: 9781844571659
Barcode No: 9781844571659
Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.

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Newspapers & Magazines The long-awaited publication of Kitano Takeshi, the first book-length study of the director's complete work, goes quite a ways to answering the question at the head of this review. Aaron Gerow - another man of incontestable credentials thanks to his stints teaching Japanese cinema at the University of Yokohama, Yale and his lengthy tenure as a film critic for the Daily Yomiuri - presents Kitano as an almost schizophrenic personality, made of two distinct personas: the director Takeshi Kitano and the comedian Beat Takeshi. Two personalities that are usually at odds, sometimes at war and occasionally in harmony. Both straight man and buffoon, Kitano forms a one-man manzai act. Gerow posits this duality as the key to analyzing and understanding Kitano's films. The opening chapter, entitled Introducing Two Takeshis, sets the stage, departing from a variety of opinions and attempts by other critics to pierce the mystery. In this chapter and throughout his book, the author makes ample reference to Japanese sources, which opens up a far wider reading of Kitano - one that includes the media personality Beat Takeshi of whom most westerners, including his fans and critics, still have only the slightest inkling, but which forms a crucial factor in understanding the man and his movies. At the same time, this use of Japanese sources also feels